Deconstructing the Global Author: Comparative Narrative Structures in AI-Generated Fiction Versus Ngũgĩ’s Wizard of the Crow and Adichie’s Americanah

Anakoro Canice Ihentuge, Unoroh Solomon Ogeneochuka

Abstract


This investigation was on how artificial intelligence and contemporary African literature create narratives of authority, identity and globalisation. Through the deconstruction of the global author, it examined both thematic and structural disparity between AI-created fiction and two fundamental post-colonial novels, namely, Ngũgĩ wa Thiong’o’s Wizard of the Crow and Chimamanda Ngozi Adichie’s Americanah. By means of comparative narrative analytical model, the paper scrutinised how algorithmic storytelling formats distinguishes cross-cultural tropes versus how real human authors appraised cultural domination from definite geopolitical perceptions. Among other things, findings revealed that AI structures highlighted structural equilibrium, linguistic consistency and globalised character arcs calculated to trample on global market, which Ngũgĩ and Adichie are bent on aggressively dislocating. By means of localised idioms, code-switching, satire, irony in addition to non-linear temporality, Wizard of the Crow reveals the autocratic leadership, corruption, nepotism and neo-colonialism, while Americanah divulges the layered realities of race and migration. In the long run, the inquiry concluded that AI-generated fiction serves as a cultural homogeniser that denies literary art of its historical precision. Conversely, African post-colonial art promotes the recovery of the global narrative aura, signifying that true literary weight relies on localised cultural quality, lived memory and political confrontation. These are natural components which contemporary generative algorithms faithfully reproduce. 


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